M.C. Escher

This week, I went to check out the M.C. Escher exhibit at the Portland Art Museum.  I've only been to the PAM three times now, first for the Rembrandt exhibit, and also for "The Dancer" show last year that had work by Degas and Toulouse-Lautrec.  The Escher show was very good, but nowhere near as deep as a show as the other two.  Perhaps it's an unfair comparison, printmaking is rather limited in terms of the size of the pieces, but it just seemed that there wasn't nearly as much work presented.  I'm okay with that, what was there was excellent.  The must-see piece is the famous "Relativity" print, and it was fascinating to see an original print.  One thing that struck me about the show was a sense of scale - Escher's work in particular has been reproduced so heavily in such a variety of forms that the very idea that his work was supposed to be a particular size was kind of hard to get used to.  "Relativity" was a decent -sized print, but seeing it not as a dorm-room poster was strange.  

There were quite a few of his studies for prints present as well.  It was great to see his meticulous prints worked out on paper first, but for the most part, there wasn't much of a sense of process.  With only one exception (the water rippling print), it seemed that everything was completely (and ridiculously neatly) worked out in pencil, and that the printmaking process was kind of a formality for Escher.  That's not entirely fair, because his technical chops were absurd, and that deserves special mention.  Still, you definitely could not call his prepatory sketches loose by any definition.  One treat for printmakers was that there were a few of his original woodblocks present.  It was interesting to see them, and to see how he'd re-use one section to create a larger, mathematically plural image that fit together precisely.  

After checking out the Escher exhibit (and watching the tattoo slideshow - was that the entirety of the tattoo exhibit?), I stumbled upon a hall of prints that I had no idea was there.  I knew that the PAM has a print room, and that it's supposedly difficult to get an appointment for it, although I haven't tried myself, but I didn't know they just had a bunch of awesome prints just sitting there in on the walls of a basement hallway.  Three Goyas, a Mucha, a couple of Warhols, a couple of Rauschenbergs, Toulouse-Lautrec, Daumier...  yeah, there was some incredible work down there.  If you're thinking of checking out the Escher show (I believe there are a couple more weeks left before it closes), head downstairs and check out a survey of printmaking over the last 400 years or so.  

c.

 

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